Current Musicology

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	previous \| next number 14/fall 1972 Coedited by L. Michael Griffel and Margaret Ross Griffel This issue is dedicated to the memory of WILLIAM J. MITCHELL (1906-1971)

	REPORTS From the Domestic Corresponding Editors: A Survey of the Relationship between Musicology and Performance in the Music Departments of Thirty-Nine North American Graduate Schools Dan Broucek and Julia Ann Griffin Chapel Hill: the AMS/SEM Meetings of 1971 Richard Taruskin Lincoln Center: The International Josquin Festival-Conference, 21-25 June 1971 From the Foriegn Corresponding Editors: Richard Rastall Leeds: Music Studies at the University John M. Jennings New Zealand: New Zealand Music Research Announcements ARTICLES The Spheres of Music: Harmony and Discord, Part I Léonie Rosenstiel Introduction and Overview Donna K. Anderson Musicians Wulf Arlt Musicology and the Practice of Music: Thoughts from the Work of the Schola Cantorum Basiliensis Isabelle Cazeaux Musicology and Other Friendly Musical Disciplines		ARTICLES Hubert Doris Music-ology Peter Paul Fuchs Interrelations between Musicology and Musical Performance Fabio Gonzáles-Zuleta Ethnology and Music: a Philosophical Consideration Anthony Hedges On the Training of Musicologists and Performers in Great Britain Dina Koston Musicology and Performance: The Common Ground Siegfreid Landau Do the Findings of Musicology Help the Performer? François Lesure Toward a Committed Musicology Meredith Ellis Little What Questions Should a Performer Ask a Musicologist? David Loeb The Composer as Musicologist Yehudi Menuhin Musicology vs. Performance Anthony Newman The 20th-Century Performer as Interpreter of the Baroque Tradition Michael Rabin A Performer's Perspective Denis Stevens Some Observations on Performance Practise Rosalyn Tureck Toward a Unity of Performance and Musicology Contributors