Current Musicology

•

| | | |

	previous \| next number 15/spring 1973 Edited by Margaret Ross Griffel

	REPORTS From the Domestic Corresponding Editors: Adrienne Fried Block New York: Doctoral Program and CUNY James R. McKay Chicago: The Contemporary Chamber Players Rita H. Mead Hunter College: The Electronic Music Studio Thom Lipiczky Wesleyan University: The Wesleyan World Music Program From the Foreign Corresponding Editors: A survey of the Relationship between Musicology and Performance at Sixteen Foreign Universities Georges Franck Belgium: The Festival of Glanders, 1971 Hungary: Interforum for hungarian Television Don Harran Israel: Testimonium II, 1971 Ladislav Reznícek Oslo: Musicology at the University Hans Conradin and Andreas Wenli Zurich: The Musicological Institute John C. G. Waterhouse Belfast: Music at Queen's University in Its Provincial Context Sieghart Döhring Marburg: Musicology at the University Announcement		ARTICLES David S. Josephson Percy Grainger: County Gardens and Other Curses Jirí Záloha The first Opera Repertoire of the Castle Theater in Cesky Krumlov Richard W. Harpster Genius in the 18th Century: C. F. D. Schubart's Vom musikalischen Genie The Spheres of the Music: Harmony and Discord, Part II Léonie Rosenstiel Introduction and Overview Malcolm Frager The Manuscript of the Schumann Piano Concerto Edmund Haines A Composer Reacts to Musicologists Otto Luening Musicology and the Composer David McAllester Cerebration or Celebration Susan Thiemann Sommer How I Felt on 14 March 1972 DISSERTATIONS John Morgan Michael John Shott Hugo Wolf's Music Criticisms: Translation and Analysis According to Pepper's Four World Hypotheses BIBLIOGRAPHICA Lesley A. Wright Roger Huntington Sessions: A Selective Bibliography and a Listing of His Compositions Performance Practices Bibliography—Third Supplement Publications Received Contributors