Current Musicology

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	previous \| next number 52/spring 1992 Edited by Nora Beck

	ARTICLES E. C. Teviotdale The Invitation to the Puy d'Evreux Mara Parker Luigi Boccherini and the Court of Prussia REPORTS Music Research in the Former U.S.S.R. Larisa Petrushkevich Recent Trends in Soviet Musicology Galina V. Grigorieva Stylistic Aspects of Soviet Music Nelli G. Shakhnazarova Bibliographical Report on Recent Soviet Works in Historical Musicology Nelli G. Shakhnazarova The Scientific Research Institute of the Arts of the U.S.S.R. Ministry of Culture and the U.S.S.R. Academy of Science Galina V. Grigorieva Events at the Moscow Tchaikovsky Conservatory Gerald R. Seaman Russian Music at the Crossroads Ellen Scaruffi, Judith E. Olson, Effie Mihopoulos, John Charles, and Roger Cooper Meeting of the Music Critics Association, Summer 1989, with Participation by Soviet Musical Critics David R. A. Evans The Powell Collection of Music Manuscripts Judith Blezzard Liverpool Sounds: Harmony, Challenge and Development		James Deaville The M.A. Program in Music Criticism Elaine Schmidt New Dimensions in Music Criticism REVIEWS Thomas Grey Klaus Kropfinger. Wagner and Beethoven: Richard Wagner's Reception of Beethoven. Trans. Peter Palmer. Douglass Seaton Mendelssohn and His World. Ed. R. Larry Todd. Daniel Harrison Mark Evan Bonds. Wordless Rhetoric: Musical Form and the Metaphor of the Oration. Thomas Christensen Friederich Erhard Niedt. The Musical Guide: Parts 1 (1700/10), 2 (1721), and 3 (1717). Trans. Pamela L. Poulin and Irmgard C. Taylor. Susan P. Snooker-Luther. The Musical Dilettante: A Treatise on Composition by J. F. Daube.