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number 60 & 61/spring–fall 1996
Edited by Emily Snyder Laugesen
 
ARTICLES
  Harold Powers
       A Canonical Museum of Imaginary Music
  Joseph Dubiel
       Hearing, Remembering, Cold Storage,        Purism, Evidence, and Attitude Adjustment
  Scott Balthazar
       Plot and Tonal Design as Compositional        Contraints in Il trovatore

REVIEWS
  William Weber
       Ruth Smith. Handel's Oratorios and        Eighteenth-Century Thought
  James Buhler
       Robert Samuels. Mahler's Sixth Symphony:        A Study in Musical Semiotics
  Jon Finson
       Allen Forte. The American Popular Ballad of        the Golden Era, 1924–1950
  Justin London
       Mark DeBellis. Music as Conceptualization
NEW APPROACHES TO BEETHOVEN'S MUSIC
  Glenn Stanley
       William Kinderman. Beethoven
  Michael Broyles
       Tia DeNora. Beethoven and the Construction        of Genius: Musical Politics in Vienna,        1792–1803
  V. Kofi Agawu
       Robert S. Hatten. Musical Meaning in        Beethoven: Markedness, Correlation, and        Interpretation 		REPORTS
  Simon P. Keefe
       Columbia University Music Department Centennial Celebration
  Alice V. Clark
       Music and Art in the Renaissance
  Manuel P. Ferreira
       International Colloquium "Fonts Musicals a la Península        Ibèrica" (ca. 1250–ca. 1550)
  Joseph S. C. Lam
       Reports on Asian-American Music Festivals in Cincinnati and        Santa Barbara
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