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EDITORIAL
Daniel N. Thompson
Aesthetics, Authenticities,
and Appeals to Authority:
The Auditor as Author
ARTICLES
Kevin N. Moll
Voice Function, Sonority,
and Contrapuntal Procedure
in Late Medieval Polyphony
Susan A. Kidwell
The Selection of Clausula
Sources for Thirteenth-Century
Motets: Some Practical Considerations
and Aesthetic Implications
Thomas B. Payne
Datable "Notre Dame" Conductus:
New Historical Observations
on Style and Technique
REVIEWS
Leeman L. Perkins
Franchino Gaffurio. Theoricum
Opus Musice Discipline,
ed. by Cesarino Ruino
Eric Rice
Timothy McGee, ed. Singing
Early Music: The Pronunciation
of European Languages in the Late
Middle Ages and Renaissance |
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