Current Musicology

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	previous \| next number 74/fall 2002 Edited by Mark Burford

	ESSAY James Robert Currie Better the Puppet? ARTICLES Daniel Beller-McKenna I Am/Was the Walrus Jeffrey Magee "King Porter Stomp" and the Jazz Tradition David Maw Meter and Word Setting: Revising Machaut's Monophonic Virelais David Carson Berry The Role of Adele T. Katz in the Early Expansion of the New York "Schenker School" REVIEWS Lydia Goehr Peter Kivy. New Essays on Musical Understanding Lawrence Kramer. Musical Meaning: Toward a Critical History Albin J. Zak III Timothy Taylor. Strange Sounds: Music, Technology, and Culture Richard Kramer David Ferris. Schumann's Eichendorff "Liederkreis' and the Genre of the Romantic Cycle Lloyd Whitesell Philip Rupprecht. Britten's Musical Language		Samuel Araújo Charles A. Perrone and Christpher Dunn, eds. Brazilian Popular Music and Globalization Ruth Longobardi Daniel Albright. Untwisting the Serpent: Modernism in Music, Literature, and Other Arts Richard Will Simon P. Keefe. Mozart's Piano Concertos: Dramatic Dialogue in the Age of Enlightenment APPROACHES TO FRENCH OPERA John Hadju Heyer John S. Powell. Music and Theater in France, 1600–1680 Sarah Hibberd Mariane Smith. Ballet and Opera in the Age of "Giselle" Julian Rushton David Charlton. French Opera, 1730–1830: Meaning and Media Mary Jean Speare Hervé Lacombe. The Keys to French Opera in the Nineteenth Century COMMUNICATIONS From Stephanus J.v.Z. Muller and David Hönigsberg From Vivian Ramalingam and F. R. P. Akenhurst