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number 75/spring 2003
Festschrift in Honor of Christopher Hatch
Guest Edited by Glenn Stanley
  Ernest H. Sanders
       Preface

  Christopher Hatch
       A Selected Bibiography

ARTICLES
  Leeman L. Perkins
       Concerning the Ontological Status of the        Notated Work in the Fifteenth and        Sixteenth Centuries
  Ernest H. Sanders
       "Are My Ears on Wrong?" Hearing        Polyphony of ca.1375–ca.1450
  Edmond Strainchamps
       Five Saliences in Marco da Gablioano's        Earliest Madrigals
  Peter Schubert
       Recombinant Melody: Ten Things to Love        About Willaert's Music
  Edward Lippmann
       Musical Articulation: A Synoptic View of        Baroque Form
  Christopher Gibbs
       Writing Under the Influence? Salieri and        Schubert's Early Opnion of Beethoven
  Janna Saslaw
       The Concept of Ausweichung in Music        Theory, 1770–1832
  Richard Taruskin
       A Suggestive Detail in Weber's Freischutz
   David Bernstein
       "Paths of Harmony" in the First Movement of Brahms' Cello
       Sonata in E minor, Op. 38
  Edmund J. Goehring
       Musical Platonism in Modern Culture


BOOK REVIEWS
Music and Politics in Africa
  Brett Pyper
       Louise Meintjies. Sound of Africa! Making Music Zulu in a South        African Studio
  Andrew Eisenberg
       Kelly Askew. Performing the Nation: Swahili Music and Cultural        Politics in Tanzania
  Martin Scherzinger
       Kofi Agawu. Representing African Music: Postcolonial Notes,        Queries, Positions

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