| 40th ANNIVERSARY ESSAYS
Jack Beeson
Recollections 7
David Josephson
The German Musical Exile and the Course
of American Musicology
L. Michael Griffel
Der Tod und die Forelle: New Thoughts
on Schubert’s Quintet
Austin Clarkson
“Structures of fantasy and fantasies of
structures”: Engaging the Aesthetic Self
Margaret Ross Griffel
Opera at Columbia: A Shining Legacy
Ernest H. Sanders
The Significance of Leading-Tones in
Brahms’s Fourth Symphony
Christopher Hatch
Observations on Editing
ARTICLES
Matt Sakakeeny
Disciplinary Movements, the Civil Rights
Movement, and Charles Keil’s Urban Blues
Ryan Patrick Jones
“You know what I mean?” The Pedagogical
Canon of “Cannonball” Adderley
Martin Scherzinger
Curious Intersections, Uncommon Magic:
Steve Reich’s It’s Gonna Rain
Eric Hung
Hearing Emerson, Lake, and Palmer Anew:
Progressive Rock as “Music of Attractions”
|  | BOOK REVIEWS
Karen Painter
Walter Frisch.
German Modernism: Music and the Arts
Johanna Devaney
Eric Clarke and Nicholas Cook, eds.
Empirical Musicology: Methods, Aims, Prospects
Paul Sheehan
Matthew Brown.
Explaining Tonality: Schenkerian Theory and Beyond |
