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ARTICLES
Rebecca Lloyd
Bach: Luther's Musical Prophet?
Nina Treadwell
Music of the Gods: Solo Song and effetti
meravigliosi in the Interludes for La pellegrina
Maiko Kawabata
Virtuosity, the Violin, the Devil . . .
What Really Made Paganini "Demonic"?
Dillon R. Parmer
Musical Meaning for the Few: Instances of
Private Reception in the Music of Brahms
Mark DeVoto
Boris's Bells, By Way of Schubert and Others
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BOOK REVIEWS
Thomas Porcello
Review Essay: Three Contributions to the "Sonic Turn"
Virgil Moorefield. The Producer as Composer:
Shaping the Sounds of Popular Music
Peter Doyle. Echo & Reverb:
Fabricating Space in Popular Music Recording, 1900-1960
Tim J. Anderson. Making Easy Listening:
Material Culture and Postwar American Recording
Giorgio Biancorosso
Phil Powrie and Robynn Stilwell, eds.
Changing Tunes: The Use of Pre-existing Music in Film
Sean M. Parr
Susan Rutherford. The Prima Donna and Opera, 1815-1930
Susan Boynton
Mary O'Neill. Courtly Love Songs of Medieval France:
Transmission and Style in the Trouvère Repertoire
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