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ARTICLES
SALLY M. A. BICK
Eisler's Notes on Hollywood and the
Film Music Project, 1935–42
STEVEN VANDE MOORTELE
Beyond Sonata Deformation: Liszt's
Symphonic Poem Tasso and the Concept
of Two-Dimensional Sonata Form
MARY LEE GREITZER
Becoming Bach, Blaspheming Bach:
Kinesthetic Knowledge and Embodied Music
Theory in Ysaÿe's "Obsession"
for Solo Violin
REBEKAH FARRUGIA and THOM SWISS
Producing Producers: Women and
Electronic/Dance Music
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BOOK REVIEWS
LAURA SILVERBERG
Amy C. Beal. New Music, New Allies: American Experimental
Music in West Germany from the Zero Hour to Reunification
JOSHUA S. WALDEN
Danielle Fosler-Lussier. Music Divided:
Bartók's Legacy in Cold War Culture
FRIEDEMANN SALLIS
Rachel Beckles Willson. Ligeti, Kurtág,
and Hungarian Music during the Cold War
MARK BURFORD
George Lipsitz. Footsteps in the Dark:
The Hidden Histories of Popular Music
BRIAN KANE
Peter Szendy. Listen: A History of Our Ears
MICHAEL GALLOPE
Jean-Luc Nancy. Listening
TYLER BICKFORD
Susan Boynton and Roe-Min Kok, eds.
Musical Childhoods and the Cultures of Youth
KAREN HENSON
Willful Histories
Katharine Ellis. Interpreting the Musical Past:
Early Music in Nineteenth-Century France
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